self awareness song

im going to break form a bit here and talk about a song called cant believe it by t pain it is very plainly disguised as a generic radio pop ballad in the vein of what has come to be thought of as the pop version of r and b or hip hop now the song essentially tells of the encounter between a man and woman from the mans perspective and the man then goes on to describe the various places to which he desires to allow her to take vacations ie a beach house in costa rica after t pain goes on for some time in this vein describing essentially the ability of his affluence to transport this young woman he finds desirable into what are essentially idyllic locations the line i can send you down south is rap slash sung and i think this is the perfect example of the kind of self awareness that is so important to hip hop and makes it such an important and useful artefact i mean listening to the song it is pretty apparent that there is underlying the banal love story issues of outsourcing and of deferment but that line both drags this issues explicitly to light with the particularly non idyllic destination provided which casts the others into relief and then on top of that it also introduces a very specific lineage which before hearing this line could only be inferred from the artists and the consideration of genre and the songs place of origin namely that of american slavery and being sent down the river and so on which with this line goes from an unspoken idea haunting it to an idea present within the text in a line which is delivered with a flair which allows for both the comedy of it to be evident and for it to be subsumed as part of the song effectively co opting the idea and making it not only an observation within the song but an integral aspect of the song which point i think is particularly interesting in that it does not succumb to the didactic impulse that would seem to necessarily follow such a crucial movement in ideas of the song instead it is simply presented and used as a jumping off point which i think is incredibly fascinating now the whole song is fascinating obviously but to conceive of it in such an autotheoretical fashion is just a point which i dont imagine most people read it with even though it is quite clearly present i mean it would be hard to argue that the reason that this line is there is completely coincidental and would require a pretty childish or racist presupposition of the ignorance of the artist in order to make this argument

people fucking with me

i have been told a number of times about some shit that went down in new york this past weekend the fucking knitting factory is shutting down which is a goddamn shame but fuck them for catering to some haters motherfuckers have been telling me there were two distinct instances of performers on stage talking shit about me first was some cat named alias from the rap crew anticon he got up there and was straight talking shit and fuck him and fuck his shitty little record label he made some reference to recording a diss track against me and fuck that i would tear him to pieces before he could even spit a fucking bar and id do it in autotune dont fuck with me kid and then the next night sacha jenkins was emceeing a rakim show which was the last hip hop show at the factory and he started talking some shit in order to get the crowd riled up against me which is some straight bullshit that guy needs to stick to the fucking white rapper show and his defunct ass magazine i mean how fucking dare he say some shit at a rakim concert about me that is just beyond comprehension that motherfucker shouldve got booed off stage i mean i know some of yall are still on some east coast versus dirty south shit but you got to show some fucking respect for the game as a whole when the god is in the building i just cannot fucking believe the audacity of these motherfuckers the two of you might as well form a fucking nazi hip hop collective called take the music from the black man