Showing posts with label club. Show all posts
Showing posts with label club. Show all posts
Saturday, May 30, 2009
i fucked up
i was just listening to lollipop and i realized that i have been fucking up big time with this blog i mean i havent once mentioned the homie static major and he made that fucking song without him that song wouldnt be half as good as i was listening to it i finally got past trying to determine all the intricacies of the lyrics and the interaction with the beat and i started listening to the way static major sang and holy fucking shit man that guy was definitely one of the best i cant believe hes gone the pathos with which he sings elements of that song are just absolutely remarkable especially considering how it is on the surface just some generic club banger that can get the people moving but i mean honestly listen to the last bit of that song when he is singing as though through clenched teeth it really creates a wholly alternative feel to the song it sort of wraps everything within the song together and spits out a whole different monster seriously if you could hear the song without that singing at the end you would be surprised how different it sounds and it isnt like those awful twist endings that simply redirect the plot in an unexpected direction it is something much more deeply powerful that redirects the entire emotion of the piece without contradicting anything that has come before i think that people should really give more credit to static major i mean i dont think people in general consider that song enough or think highly enough of it based on my own listening experience but now i dont think that based just on the production and the lyricism but also on the remarkably artistic and brilliant work of the late static major
flow
probably the most indefinable aspect of the art of hip hop is the idea of flow that is used to define rappers or if not indefinable perhaps the least quantifiable this is also one of the most important pieces to the puzzle of successfully reinterpreting the genre into your own personal vehicle which is why it is so disheartening that so many of the same critics who will testify by my lyrical prowess which is undeniable will in the same sentence denigrate my ability to flow or will do something that is clearly intended to deny me the status as one of the greats because they are worried about being disagreed with too vehemently or because they have some valorized notion of artists that creates the idea that only the old greats were true greats and all contemporary artists are mere shadows of the former great ones and even i will admit that i might not be any sort of gift of gab but at least i am not a gimmick artist like twista and not only that but my ability to flow has been progressing with each album and there are intricacies which are by and large overlooked by people who think everything about my music is simply straightforward club oriented trashy pop or whatever which i can fully respect but i basically just wish that at some point people who are paid to do so would look deeper and inform the public thereof but bemoaning the critical state of the times will get one to no path that hasnt been tread a million times and i meant to talk about flow in general and the conundrum that it presents something that has been bothering me for a few years now and i guess i just wanted to ask for anyones opinions on what precisely it is since to me it seems to be something to the effect of an amalgamation of a rappers ability to maintain their percussive style of singing over a period of time but is also the particular tambre of the voice as well as any idiosyncracies of style that the rapper has and maybe even the uniformity present when someone raps over various dissimilar beats perhaps it is that constant that people speak about when they say someone has a good flow
Labels:
anxiety of influence,
artist,
beats,
blackalicious,
bloom,
club,
flow,
gift of gab,
harold bloom,
hip hop,
hip-hop,
lil wayne,
lollipop,
nas,
twista
lollipop
i know a lot of people love this song but there are a number of people with good reasoning skills who hate my new song lollipop and i would like to address this to them i truly believe this is one of the few times in life when the saying all naysayers be damned is a proper course of action to take because there is nothing in this song worthy of your hatred aside from the self assured elitist hatred of populist artistry i am not trying to call all of my detractors elitist but i would make it known that these people are unable to be reasoned with and that this causes me no qualms but as for the others who have a distaste for my song i would say that the most prevalent are those who may be offended by it which is to say those of us who have been conditioned to respond to any mention of fellatio with the idea that it inherently denotes some sort of sexist power dynamic which i very much disagree with in that this power dynamic is certainly easily arguable but nevertheless exists purely in metaphor i dont know about you but there have been plenty of times where i was getting head and it produced in me no desire to subjugate women or even a disdain for the woman in particular who performed the act the truth of the matter is that fellatio has a very distinct and confused place within our culture and that it is one of the sticky points which must be interrogated through roundabout means namely art and that is what i am trying to do albeit in such a way as to not preclude the average listener from both listening to and enjoying my music i have some of the undisputed best producers in the world behind me and have won numerous awards for my lyricism it seems to me that at this point in my career i might be able to create a work that plays with conventional understandings of broad cultural metaphors and not immediately decried as sexist lollipop is not exactly the culmination of art or anything but neither is it some thoughtless bit of anti feminist misogyny and i would just appreciate the openmindedness of my audience and hope that those who would level such heinous charges would not do them so lightly as to just name them as being true without proper analysis of the situation and the particularity and not just some broad generalization about the state of music or culture or rap or whatever next time i post i will aim my sights at another of these groups of haters thank you for reading
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